Amid Despair in a Venezuelan Prison, Strains of Hope From a Music Program
By SIMON ROMERO
LOS TEQUES, Venezuela — When Nurul Asyiqin Ahmad was taken seven months ago to her cell at the National Institute of Feminine Orientation, a prison perched on a hill in this city of slums on the outskirts of Caracas, learning how to play Beethoven was one of the last things on her mind.
“The despair gripped me, like a nightmare had become my life,” said Ms. Ahmad, 26, a shy law student from Malaysia who claims she is innocent of charges of trying to smuggle cocaine on a flight from Caracas to Paris. “But when the music begins, I am lifted away from this place.” Ms. Ahmad plays violin and sings in the prison’s orchestra.
In a project extending Venezuela’s renowned system of youth orchestras to some of the country’s most hardened prisons, Ms. Ahmad and hundreds of other prisoners are learning a repertory that includes Beethoven’s Ninth Symphony and folk songs from the Venezuelan plains.
The budding musicians include murderers, kidnappers, thieves and, here at the women’s prison, dozens of narcomulas, or drug mules, as small-scale drug smugglers are called. The project, which began a year ago, is expanding this year to five prisons from three.
“This is our attempt to achieve the humanization of prison life,” said Kleiberth Lenin Mora, 32, a lawyer who helped create the prison orchestras, modeling them on the system that teaches tens of thousands of poor children in Venezuela classical music. “We start with the simple idea that performing music lifts the human being to another level.”
Few nations have prison systems as much in need of humanizing as Venezuela, where 498 inmates out of a total population of 21,201 were killed in 2007, according to the Venezuelan Prison Observatory, a group that monitors prison violence.
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